Lesson 5 SunFlowers
( Lessons will be out of order until I'm caught up posting back lessons... my apologies. Lesson 6 Painting a Horse will continue in 3 parts after Sunflowers Lesson 5)
Lesson 5 is held July 20th on location at Oasis.
We will take a look at Van Gogh to influence our sunflowers painting and to learn more about painting using a pointillism approach to color like Van Gogh did rather than using a tonal approach to color. Tonal meaning a color plus white for light or tint, and color plus black ( in our case, a mixed black) for tone. Van Gogh was influence by Delacroix. We will also be looking at the Fauvists to follow, who unlike Van Gogh didn't paint with tertiary colors.
We will use sunflowers and other arrangements out of my yard. I will have 3-4 arrangements set up. We will be using pallette knives and brushes. We will use a Split palette of warm and cool colors. This is a Van Gogh palette of colors to buzz color against color.
Split Palette:
Yellow: Cadmium Yellow Deep
Lemon Yellow or Cadmium Yellow Light
Red: Vermillion
Cadmium Red Deep
Blue: Cerulean Blue
Ultramarine Blue
Green: Viridian Green
Green Oxide
Brown: Burnt Umber
Raw Umber
Sample Palette
Red Lake
Vermillion
Cadmium Yellows
Ultramarine Blue
Cobalt Blue
Cobalt Violet
Emerald Green
Viridian Green
Lead White (Flake White)
Earth Colors (Siennas, Umbers, Ochre)
Look up these Artists and Identify the line they used in their compositions.
Delacroix: See how he often uses parenthesis type of composition to group his elements which draws attention to the area inside the parenthesis.
Van Gogh: Sometimes he painted directionally using a circular approach to colors and brush stroke to emphasize the focal points in his work.
In painting Sunflowers today quickly do your thumbnails both line and value studies. I will check them. Consider laying down your direction by using your brush stroke direction to match your line.
Some Additional Ways to Developing Focal Points besides darkest dark against lightest light:
1. If your painting is an analogous color scheme: Opposite (contrasting) color used in the focal areas to draw attention.
2. If your painting is a contrasting: Analogous color used.
3. In this particular lesson, Painting Sunflowers, try moving toward your palette spectrally – primary colors first, then introduce secondary colors.
4. Pure color is more opaque. Add a little white for it to be reflective. Adding white will diminish it's focal quality, decrease chroma and help with distance between the stronger pigment and the one diluted with white.
Some info about the temperature of the colors we are using:
Cadmium Yellow Pale is the cool of Cadmium Yellow Medium.
Vermillion is hot whereas Lakes are cool. Alizarin Crimson is a Crimson Lake color.
Cerulean is warmer, Turquoise is warmer ( has yellow in it).
Cobalt is cooler than Cerulean. Cobalt starts moving toward the violets.
Ultramarine is cooler than Cobalt.
Chrome Greens & light greens are warmer with more movement toward yellow.
Viridian is cooler with more movement toward blue.
If an object has a warm surface color paint the shadows with cooler colors(dark blues/dark greens) and visa versa.
A Word About Pointillism:
Van Gogh painted by using color to buzz the next color to it, instead of tone.
Difference between pointillism and traditional painters is the tonal changes in the color. There is no neutralizing of the colors (well, very little) in pointillism. It is done by the color put down next to it and white (not black).
Today's Vocabulary: Local Color
Local color is the overall color of your puzzle piece before changes by toning it, adding white in pointillism, or contrasting colors.
Local color is also influenced not only by white, but by yellow, and orange used as a lesser white.
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